2006-12-15

More on "The Nativity Story"

Setting the Record Straight on Mary The new movie that debuted on December 1st, The Nativity Story, has received many positive reviews around the country already and also a fair amount of attacks by the standard group of village atheists. Criticisms notwithstanding, the movie certainly has many redeeming qualities to it including its portrayal of Joseph and the touching scene of Mary's visit to Elizabeth, but at the same time I feel it necessary to correct the record about its presentation of Mary. More to the point, twenty centuries of theological reflection on the Virgin Mary have been effectively glossed over in the movie, and we have been given someone's private interpretation of Mary's role in salvation history which does not match the public record of historical Christianity. The Catholic Church has made it clear from the beginning that we do not understand Jesus as a historical and theological figure without Mary, and so a Nativity story that gets Mary wrong also skews our understanding of Jesus. First and foremost, any portrayal of Mary as giving birth in pain is simply contrary to the Christian Church's long tradition of Mary as virginal before, during and after birth. In this view, Her intact physical integrity during birth was accompanied by a psychic integrity that admitted of no pains during childbirth in any form. That may be a surprise to some, but it is nonetheless the historical Christian view of this event. The movie's portrayal of Her childbirth is thus not the Church's mainstream understanding and qualifies as a strictly private interpretation of the event. In fact, the movie had a chance to contrast the painful childbirth of John the Baptist to Elizabeth with the miraculous birth of Jesus to Mary, and it missed the perfect opportunity to provoke a good theological debate! Biblical Christians should know that there is a Scriptural reason for this doctrine. The virtually unanimous opinion of the Fathers of the Church in the first six centuries was that Mary is the "New Eve," the necessary counterpart to Christ, the New Adam (cf. Rom 5:12-14). Just as the old Eve collaborated in the sin of Adam, so the New Eve, with the New Adam, reverses the original disobedience and undoes the curse brought upon the human race by the first sinners. That same curse also brought about the grim consequence of labor pains for all of Eve's daughters (cf. Gen 3:16), but the New Eve who broke the curse was not subject to its dictates. Secondly, Mary was not an immature adolescent as she is portrayed in the movie. The director of the movie, Catherine Hardwicke, intended to portray Her as such in order to make her more "real" to teens. That is fine as an evangelistic motive, but depicting Her in a quasi-feminist tizzy against her father's authority when he addresses the delicate subject of pre-marital relations is simply inaccurate to the historical record and doesn't help kids to take Her as a role model. The immaculate Mary's passions were first and foremost totally consecrated to the Lord and without the slightest disorder in any sense; she is not your typical teen in western society. She is the teen Mother of the Messiah, the perfect role model for all kids and adults alike. Not only would it not have entered the mind of the All Pure Mary to have pre-marital relations, She could not have had a fit of rebellion against Her father's legitimate authority that concretized God's Will for Her. This presentation of Mary is quintessentially Hollywood and reflects neither historical Christianity nor even the Biblical evidence. It is also a reflection of the Protestant view that Mary is just another person who happened to follow Jesus. No, Mary is the Mother of God, perfectly pure in every respect and, even as a teenager dedicated heart, mind, soul and strength to God's Plan of salvation. "Behold the handmaid of the Lord, be it done unto me as you say." (Lk 1:38) Let the historical record speak for itself. Sincerely Yours in Christ, Rev. Thomas J. Euteneuer President, Human Life International

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